The Good, the Bad and the Ugly




2022
ARCHITECTURE
Location 
Perche, France
Client 
Jean-Luc Moulène
Area 
367 m2
Material 
EPDM, Danpalon, prefabricated wood structure
Status 
Built
Artist's studio

An architectural tool for the artist, materialized by the assembly of a series of identical volumes distributed in constant shifts, which offers a territory with multiple dimensions and functions. Each volume corresponds to the artist's working range. The translucent, north-facing sloping façade provides neutral and homogeneous light to the spaces.

Photo: David Boureau


Panic room



2019
ARCHITECTURE
Location
Paris, France
Client
Enfants Riches Déprimés
Area
45 m2
Material
Stainless steel, grey Saint Laurent marble, fabric
Status
Built
Flagship store

The ERD boutique is an enclosed grey zone, a geometrical boudoir and a surgical limbo. Its space has been shaped as a stage built of metal and stone to enclose the experience of desire.

Photo: David Boureau


Sky is the limit


2008
ARCHITECTURE
Place
YangYang, South Korea
Client
Eulji Foundation
Dimension
2.6 x 11 x 15.6 m | 25 m²
Material
Steel structure, metal grid, clear glass, wood panels, epoxy white paint.
Status
Built, 2008
Tea House
The project is a domestic space sample, propelled 20 meters above the ground, a tea room projected in a state of weightlessness, over the troubled horizon. The building’s body is nothing more than a fragile skeleton. Its thin arachnoid structure sets under tension a vertical void. A bicephalous head over this fleshless body is composed of two entities. Two captive voids of strictly similar dimensions provide two opposing experiences.

Photo: Hong Lee


XYZ Lounge


2018
ARCHITECTURE
Location
Ghent, Belgium
Client
Zebrastraat
Area
365 m2
Material
Steel, Breccia Gold marble, stucco, fabric
Status
Built
Bar / Lounge and event space for the conference and cultural center Zebrastraat with bespoke furniture

XYZ Lounge is an interstice-space offering a new form of physicality and identity, a space of convergence and interaction where temporality is suspended. The marble, the stucco, and fabric, all clean materials, stage the encounters made within this in-between space, creating an envelope where the different tonalities call out to our carnal sensuality.

Photo: David Boureau