Plywood, polystyrene, tarpaulin and acrylic ropes
525 x 525 x 354 cm
Lampedusa presents a territory for a furtive architecture, a proposal of gap as a territory, that refers to 'Le Radeau de la Méduse" by Géricault. This piece echoes to Body in Transit (2000), another work of Didier Faustino which has marked the beginning of a reflection about the artistic and architectural point of view of Didier Fiuza Faustino as "man, citizen and political actor" with the precise goal to produce new resistance tools and awarness.
Courtesy of the artist and Michel Rein, Paris/Brussels